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workman:

flasd:
Andy Warhol
Oxidation Painting, 1978

workman:

flasd:

Andy Warhol

Oxidation Painting, 1978

(Source: thecricketchirps, via thomortiz)

retroreverbs:

Bathroom leading off from the bedroom of a Parisian apartment (1970s).

retroreverbs:

Bathroom leading off from the bedroom of a Parisian apartment (1970s).

(via thomortiz)

manifest05:

The Ex-Majlis Building in Tehran by Heydar Gholi Khan Ghiaï-Chamlou in 1955. The project depends heavily on principles of Islamic geometry and combines them with varied textures, materials, and dimensions. Long, exaggerated lines are used on the exterior façades, echoing the Futurist Manifesto. The brise-soleil recalls traditional Middle Eastern screens that filter light and delineate ornate patterns cast in shadows upon three dimensional surfaces. The dome of the building was inspired by the architect’s family crest. It was one of the first major modernist projects in Tehran and was considered the greatest advance in Iranian architecture at the time. Rather than borrowing from the west, it evolved the traditional forms already found in the vernacular architectural vocabulary of the region.  

(via architectureofdoom)

userdeck:

LEGO albums.

userdeck:

LEGO albums.

workman:

flasd:
Andy Warhol
Oxidation Painting, 1978

workman:

flasd:

Andy Warhol

Oxidation Painting, 1978

(Source: thecricketchirps, via thomortiz)

retroreverbs:

Bathroom leading off from the bedroom of a Parisian apartment (1970s).

retroreverbs:

Bathroom leading off from the bedroom of a Parisian apartment (1970s).

(via thomortiz)

lesthetiquedelinventaire:

Blue nude by Henri Matisse 

lesthetiquedelinventaire:

Blue nude by Henri Matisse 

(via thomortiz)

manifest05:

The Ex-Majlis Building in Tehran by Heydar Gholi Khan Ghiaï-Chamlou in 1955. The project depends heavily on principles of Islamic geometry and combines them with varied textures, materials, and dimensions. Long, exaggerated lines are used on the exterior façades, echoing the Futurist Manifesto. The brise-soleil recalls traditional Middle Eastern screens that filter light and delineate ornate patterns cast in shadows upon three dimensional surfaces. The dome of the building was inspired by the architect’s family crest. It was one of the first major modernist projects in Tehran and was considered the greatest advance in Iranian architecture at the time. Rather than borrowing from the west, it evolved the traditional forms already found in the vernacular architectural vocabulary of the region.  

(via architectureofdoom)

userdeck:

LEGO albums.

userdeck:

LEGO albums.

About:

a myriad of photos found on the internet, some from my travels.

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